After the Orgy
Jerry Saltz
The Best (and Worst) of 2009
T.J. Carlin
Time Out New York
Lisa Yuskavage
Gerry Coulter
Ctrl+P Journal of Contemporary Art
From a Woman's Perspective
Ariella Budick
Financial Times
Review
Elisabeth Kley
ARTNews
Secrets of the Flesh
Dodie Kazanjian
Vogue Korea
The Death of Alcyone
Claire Crowther
Art World
Francis Bacon
Lisa Yuskavage
Vogue
An Eye on the Tremors
Sanford Schwartz
The New York Review of Books
Review
T.J. Carlin
Time Out New York
Review
Karen Rosenberg
The New York Times
In Conversation: Lisa Yuskavage with Phong Bui
Phong Bui
The Brooklyn Rail
Broken Ghosts
Charlie Finch
Artnet
Paint Made Flesh
Mark W. Scala, ed. Texts by Emily Braun, Susan H. Edwards, Mark W. Scala, and Richard Shiff
Vanderbilt University Press, Nashville, TN
Women: An Exhibition of Paintings and Sculpture on Loan from the Steven & Alexandra Cohen Collection
Joachim Pissarro
Sotheby's
Figuratively Seeing
Lisa Tung
Massachusetts College of Art and Design
Diana and Actaeon: The Forbidden Glimpse of the Naked Body/Diana und Actaeon. Der verbotene Blick auf die Nacktheit
Sandra Badelt and Beat Wismer, eds. Texts by Bettina Baumgärtel, Maria Moog-Grünewald, Beat Wismer, et al.
Museum Kunstpalast, Düsseldorf
Bad Painting — good art
Eva Badura-Triska, Susanne Neuburger, Stefan Neuner, Friedrich Petzel, et al.
DuMont, Cologne and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
Kitsch? Kunst? Softporno?
Christina Böck
Die Presse
Die Meisterin des Obszönen
Claudia Bodin
Art das Kunstmagazin
Art & Today
Eleanor Heartney
Phaidon Press
Empty: The Image Only Issue 2
Screwing it on Straight
Claudia Gould and Lisa Yuskavage
Institute of Contemporary Art, University of Pennsylvania
Attention to Detail
The FLAG Art Foundation
Eyes Wide Open: Acquisitions to the Stedelijk & The Monique Zajfen Collection
Stedelijk Museum
Legende
Domaine Départemental de Chamarande
The ArtNews 200 Top Collectors
ARTNews
Review
Barry Schwabsky
Map
Review
Martin Herbert
Time Out London
Art About Life
Charlie Finch
Artnet
The Overwhelmer: The Art of Lisa Yuskavage
Robert Enright
Border Crossings
Jenseits von Hardcore
Eva Karcher
Monopol
Paint by Big Numbers
Katrina Brooker
Condé Nast Portfolio
Chelsea Now Guide
Chelsea Now
Gauging the Market for Postwar Art
The New York Sun
Lisa Yuskavage: Critiquing Prurient Sexuality...or Disingenously Peddling a Soft-Porn Aesthetic?
The Washington Post
Even in the Digital Age, a Strong Case for Printmaking
Martha Schwendener
nytimes.com
Laissez-Faire Aesthetics
Jed Perl
The New Republic
Review
Eleanor Heartney
Art in America
The Painter: Svetlana Alpers and Matthew Collings on the Fictions of the Studio, the Shadows of the Photographic, and Contemporary Ghosts of Empathy
Modern Painters
Reviews
Frances Richard
Artforum
Review
Jonathan T.D. Neil
Art Review
"Don't Look.": Contemporary Drawings from an Alumna’s Collection (Martina Yamin, Class of 1958)
Davis Museum and Cultural Center, Wellesley College
New York, of course
Ralph Hermanns
Wetterling Gallery
The Present
Arjan Reinders
Stedelijk Museum Bulletin
Contemporary Realism: The Seavest Collection
Richard D. Segal
Collectors Press
Art in America: Three Hundred Years of Innovation
Susan Davidson, ed.
Merrell, London
Female Trouble
Jerry Saltz
Village Voice
An Afternoon in Chelsea
Karen Rosenberg
New York Magazine
Review
Jeffrey Kastner
The New York Times
Bombshells
Peter Schjeldahl
The New Yorker
Lisa's Women
Julie L. Belcove
W Magazine
Artist Walk: Lisa Yuskavage
Bryant Rousseau
artinfo.com
Flesh for Fantasy
Andrea K. Scott
Time Out New York
Cultural Stimuli in NYC: Artwork by Lisa Yuskavage
Jake Lancaster
flavorpill.com
Take a Bite of Peach: Lisa Yuskavage
Daniel Kunitz
Art Review
Sites to See
Nandini D'Souza
W Magazine
Fall preview: Strip shows
Time Out New York
Auction Boom Continues Apace
David Ebony
Art in America
When in Rome
Lisa Yuskavage
Culture & Travel
Femineidad Fantástica: obra de Lisa Yuskavage
Pablo Ortiz
Quattro
Object of Desire
Stephen Wallis
Departures
The Biennial Question
Mark Stevens
New York Magazine
Contemporary Art: The New Blue Chips
Gregory Cerio
House and Garden
Collecting Contemporary
Adam Lindemann
Taschen
Painting People: Figure Painting Today
Charlotte Mullins
Distributed Art Publishers, Inc.
Modigliani and His Models
Emily Braun
Royal Academy of Arts
Painting Codes: Codici della Pittura
Galleria Comunale d'Arte Contemporanea di Monfalcone
Pin-Up Grrrrl: Feminism, Sexuality, Popular Culture
Maria Elena Buszek
Duke University Press
A Room Full of Yuskavages
Carley Margolis
Whitewall
Artists
Jason Schmidt
Edition 7L
Lisa Yuskavage
David Zwirner
David Zwirner Gallery
Lisa Yuskavage
Tobias Ostrander and Christian Viveros-Fauné
Museo Tamayo Arte Contemporáneo, Mexico City
Bathing Beauty
Marshall Heyman
W Magazine
She Can't Be Bought
Christopher Mason
New York Magazine
Preemptive Strike
Francine Prose
Modern Painters
No. 1: First Works by 362 Artists
D.A.P/Distributed Art Publishers, Inc.
Forty Years at the Institute of Contemporary Art
Johanna Plummer, ed. Interview with the artist by Claudia Gould.
Institute of Contemporary Art, University of Pennsylvania
What it Feels Like for a Girl
Claire Mitchell
Nylon
Conversation: Lisa Yuskavage and Tamara Jenkins
Karen Rosenberg
New York Magazine
Women on the Verge
Jennifer Higgie
Frieze
The Hamptons, A Playground for Creativity
Ken Johnson
The New York Times
The Good, the Bad and the Ugly
Ana Finel Honigman
Art Review
SITE Santa Fe: Lisa Yuskavage
Art & Auction
Review
Sally O'Reilly
Time Out London
Deviation Standard: Jeffrey Kastner on SITE Santa Fe
Jeffrey Kastner
Artforum
Disturbing Beauty
Ann Landi
ARTnews
Not Afraid: Rubell Family Collection
Mark Coetzee
Phaidon Press
Lisa Yuskavage: Small Paintings 1993 - 2004
Tamara Jenkins
Harry N. Abrams
Disparities & Deformations: Our Grotesque
Robert Storr
SITE Santa Fe
To Philip Guston
The Brooklyn Rail
Review
Brian Boucher
Flash Art
Review
Jan Avgikos
Artforum
The Kate Moss Portfolio [photograph by Lisa Yuskavage]
W Magazine
Critic's Notebook: Fashion and Art Embrace, if not Passionately
Cathy Horyn
The New York Times
Review
Ken Johnson
The New York Times
David Cohen
The New York Sun
Review
The New Yorker
Review
Chivas Clem
Time Out New York
Lisa Yuskavage: New Paintings
The Art Newspaper
Naked Truths
Sarah Valdez
ARTnews
Curve: The Female Nude Now
Universe Publishing
Reverie: Works from the Collection of Douglas S. Cramer
The Speed Art Museum
Skowhegan Faculty Exhibition
Institute of Contemporary Art at Maine College of Art
Review: Fusion Cuisine
Alexandra Koroxenidis
Frieze
The Royal Treatment
Pernilla Holmes
Art & Auction
Review: Fusion Cuisine
Andrea Gilbert
Contemporary
Through the Eyes of Women
Alexandra Koroxenidis
Herald Tribune
Zurück Zur Figur
Thomas Girst
Süddeutsche Zeitung
Artists Curate: Cosmic Relief
Richard Tuttle
Artforum
Vitamin P: New Perspectives in Painting
Valerie Breuvart, ed.
Phaidon Press, London
177th Annual: An Invitational Exhibition
National Academy of Design, New York, NY
Awkward Sage: Balthus 1908-2001
Katy Siegel
Artforum
Lisa Yuskavage
Christen Clifford
Black + White
100 Best Things
GQ
Art in Review: Naked Since 1950, C&M Arts
Grace Glueck
The New York Times
At Philadelphia's Institute of Contemporary Art
Art Matters
Bootylicious
Jane Scott
Oyster
Tees for Two
Reena Jana
ARTnews
Lisa Yuskavage: Toutes en Rondeurs
Cécile Martinière
technikart.com
Working Proof
Art on Paper
Lisa Yuskavage: Fleshed Out
Carey Lovelace
Art in America
Lisa Yuskavages Bad Girls
Neue Zürcher Zeitung
A Genève, trois artistes contemporains se rient des troubles de la perception
Philippe Mathonnet
Le Temps
Bust a Move
Aric Chen
New York Magazine
Nicely Ordinary Nudity
Francis Summers
Sleazenation
Lisa Yuskavage Portfolio
Zoo
Review
Barry Schwabsky
Artforum
Review
Edith Newhall
ARTnews
Balthus RIPs
Whitney Combs
NY Arts Magazine
Yuskavage's "Perky" Market
Art & Auction
New York Cut Up
Massimiliano Gioni
Flash Art
Review
Jonathan Gilmore
Tema Celeste
Egad! I Met Marc Rich, Long Ago in Switzerland
Michael Thomas
New York Observer
Lisa Yuskavage
Eric Fabianich
NY Arts Magazine
Tit for Tat: Painting as Cerebral Cheesecake
Kim Levin
Village Voice
Paint Strippers
Richard Vine
New York
Art
Eils Lotozo
Philadelphia Inquirer
Busty Babes
Ratha Tep
34th Street / The Daily Pennsylvanian
Review
The New Yorker
Mr. President, Give Your House a New Yook
Blake Gopnik
The Washington Post
Review
Christian Viveros-Fauné
New York Press
Painter's Latest Work is Little More than Skin-deep but it is Voluptuous
James Gardner
New York Post
Girls, Girls, Girls
Peter Schjeldahl
The New Yorker
A Painter Who Loads the Gun and Lets the Viewer Fire It
Roberta Smith
The New York Times
Just Like A Woman
Jane Smiley
Harper's Bazaar
Editor's Easel
Glenn Curry
Art Matters
Hot Type
Elissa Schappel
Vanity Fair
Duly Noted: Three at ICA
Burton Wasserman
Art Matters
American Psycho
Bret Easton Ellis
Giulio Einaudi editore s.p.a.
Naked Since 1950
Robert Pincus-Witten
C&M Arts, New York, NY
Pictures, Patents, Monkeys, and More…On Collecting
Werner Muensterberger, Ingrid Schaffner, and Fred Wilson
Independent Curators International
Lateral Thinking: Art of the 1990s
Toby Kamps
Museum of Contemporary Art, San Diego, CA
A Walk on the Wild Side at the ICA
Marie Fowler
Suburban & Wayne Times
Candy Land
Robin Rice
Philadelphia City Paper
Artist's Work has Taken her Far, but is Planted in her Juniata Roots
Carol Denker
North Star
A Provocative Take on Female Sexuality
Edward J. Sozanski
Philadelphia Inquirer
Corcoran Exhibit Is Varied Metaphor
Joanna Shaw-Eagle
The Washington Times
Not 'Easel'ly Forgotten
Anne R. Fabbri
Philadelphia Daily News
The Body Shop
Roberta Fallon
Philadelphia Weekly
Blonde Ambition
Geoffrey W. Melada
Philadelphia Magazine
Shock of the Nude
Rosa Seidler
Elle
Behind the Curves
Albert Lee
Nerve
A Provocative Painter
Eils Lotozo
Philadelphia Inquirer
Cultureshort
Geroge Scheer
Daily Pennsylvanian
The Art of Living
Wendy Goodman
New York Magazine
How to Become an Instant Art Star
Deborah Solomon
New York Times Magazine
Art Attack
Miriam Seidel
Philadelphia Magazine
The Artifacts of Life
Pilar Viladas
The New York Times Magazine
Critic's Notebook: Portrait of the Artist as a Young Woman; Glossy Images That Both Mimic and Mock Male Sexuaility
Roberta Smith
The New York Times
Get in Line
Steven Vincent
Art & Auction
Blonde Ambition: The Art of Lisa Yuskavage
Katy Siegel
Artforum
High Noon in Desire Country: The Lingering Presence of Extended Adolescence in Contemporary Art
Gean Moreno
Art Papers
A Roll Call of Fresh Names and Faces
Deborah Solomon
The New York Times
Dealings with the Whitney Biennial
Carol Kino
Art & Auction
My Sixth Sense
Jerry Saltz
Village Voice
Pragmatic Hedonism
Peter Schjeldahl
The New Yorker
I am Curious (Yellow)
Charles Gandee
Talk
Film and Video Shine Brightest at This Year's Whitney Biennial
Edward J. Sozanski
The Philadelphia Inquirer
Not Enough Reasons to Celebrate
Christopher Knight
Los Angeles Times
A New Whitney Team Makes Its Biennial Pitch
Michael Kimmelman
The New York Times
Faces of Art 2000
Michael Birt
Talk
Art Girls Just Wanna Have Fun
Deborah Solomon
The New York Times Magazine
Biennial 2000 at the Whitney Museum
Verlyn Klinkenborg
A Plurality of Truths
Schick Art Gallery, Skidmore College
00: Drawings 2000
Barbara Gladstone Gallery
Modern Art
Sam Hunter
Harry N. Abrams
Twisted. Urban Visionary Landscapes in Contemporary Painting
NAi Publishers, Rotterdam and van Abbemuseum
Lisa Yuskavage
Marcia B. Hall and Katy Siegel. Inteview with the artist by Claudia Gould
Institute of Contemporary Art, University of Pennsylvania
Absolut Art
V&S Vin & Spirit AB
Greater New York: New Art in New York Now
P.S.1 Contemporary Art Center
2000 Whitney Biennial
Maxwell L. Anderson, et al.
Whitney Museum of American Art
46th Corcoran Biennial: Media/Metaphor
Philip Brookman
Corcoran Gallery of Art