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Critics' Pick

Sarah Nicole Prickett
Artforum
May 1, 2015

When the 1963 negative for “Le Bonheur” (1965) lost most of its colors, Agnes Varda had a new one created to look more original than the first. The name given to things more original is artifice, but Varda has said that the film’s palette was exactly as she found it in nature, a truth that applies itself well to the realaesthetik of painter Lisa Yuskavage.

Referenced Exhibition

Lisa Yuskavage
David Zwirner
New York, NY
April 23 – June 13, 2015
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© 2015 Lisa Yuskavage
All Rights Reserved. Images on this site cannot be reproduced without the written permission of the copyright holder.
Site by tinymill
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